Monday, September 28, 2009
It was interesting finding a way to balance out my composition in terms of color and size hierarchies. I also found that in order to have certain pictures fit to my layout I had to stretch them a little bit. I wanted my black line perspective large because it has a lot of detail and is less readable without color.
Friday, September 25, 2009
I wanted to create a sense that we are viewing the distant future with an ancient fortress that has been retrofitted with technological enhancements. You are a pilot and you are walking on to the scene of attacking forces. The cockpit has all sorts of screens and lights to reference the status of your walking tank. Cars are fleeing from the fortress as the palace guard tries to defend. One of the tanks' legs is destroyed while shielding a bus. The screaming commander and the moving sign attached to the fortress promote a sense of urgency. There is also a sense that these are not the only attackers; the battle continues in the background as smoking skyscrapers have clouded the sky.
I didn't want to tell the viewer which side the pilot is on by showing his tank's color. I showed the pilot touch on his objective: to protect the castle. The defenders also have a common insignia which looks like an orange and grey shield.
I practiced a lot of drawings in my sketch book for rendering the hand, the tanks and the commander's face. The biggest success of this project was how much my rendering skills increased as well as bringing me out of my timid use of markers.
Wednesday, September 23, 2009
I wanted to emulate the cartoony style Shawn showed us. I took the paintbucket tool and changed the colors of the walls, ceiling, people and some of the furniture. I loved how I didn't have to draw a box around everything I wanted to color; Photoshop just knows! Even though this worked well it would paint the shadows a different color from the color I wanted. This was kind of weird and frustrating. I decided to get the shadowed areas as close as possible and just shadow them again with the burn tool. I was pretty satisfied but I decided to exaggerate the colors more so pulled the hue back.
I decided to take some of Suzanne's criticism about my gray shadowed carpet and change it so it looked more natural. I got rid of the old shadows under all the furniture and on part of the wall by using the clone stamp to clone the same carpet color over the shadows. I then used the burn tool where the old shadows were and made more realistic dark green shadows. I also used the burn tool on the lamp and on the corners of the walls. I lightened the wall under the lamp and I lightened the ceiling above the ceiling light.
For my first photoshop experience I decided to take parts or components from my perspective and place them in other places. I used the clone stamp tool and it seamlessly allowed me to copy and paste people and things in new places like they were components out of sketchup. Putting the boy on the chair was fun because I first cloned the chair, then the boy and then I "recloned" the back of the chair so the boy's legs wouldn't overlap the chair.
Tuesday, September 22, 2009
I did this perspective on vellum over the parchment paper of the last because vellum blends well and has the ability to keep shades separate when desired to create a 3 dimensional layering effect.
I picked some outrageous colors: green, yellow, blue and brown. It was tuff figuring out what to color first as in the furniture, people or walls. My favorite is the top perspective as it is very bright and seemingly spacious. Also the paper I used (parchment?) didn't saturate with color and allowed me to wipe color away to simulate light.
Wednesday, September 16, 2009
These are perspectives of my Gatewood structure sitting on its site (above the fountain in front of the atrium). I positioned the structure in these perspectives so that the leaning wall and its extreme angles could be emphasized.